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Nikon Launches D7200 in D7000 Series. This DSLR Camera has high-end connectivity features just like 24.2-megapixel DX-format CMOS sensor for professional photographers. This is a best camera in D7000 series, the new nikon d7200 is powered by EXPEED 4 image processor that makes the camera capable of supporting high-quality images and 1080p High definition video recording.

This most advanced camera in DX rang. That focus 51 precise focus points and capture sharp images in low light condition and you can share your images and movies instantly with the convenient built-in Wi-Fi® and NFC*1 – a first for Nikon DSLRs.

The new nikon have Optical viewfinder with approx. 100% frame coverage for enhanced clarity and visibility. Nikon D7200 come with EN-EL15 Rechargeable Li-ion Battery - as used in the other dx series cameras like D810, D800, D800E, D750, D610 and D7100. This camera delivering approx 1,110 images and 80 min movie recording on single charge when you want long video recording with your gear.

Tech Specs for Nikon D7200


TypeSingle-lens reflex digital camera
Lens mountNikon F mount, (with AF coupling and AF contacts)
Effective angle of viewNikon DX format; focal length in 35 mm [135] format equivalent to approx. 1.5x that of lenses with FX format angle of view
Image sensor formatDX
Image sensor typeCMOS
Sensor size23.5mm, x15.6mm
Total pixels24.72million
Dust-reduction systemImage sensor cleaning, Image Dust Off reference data (Capture NX-D software required)
Effective pixels24.2million
Image size (pixels)DX (24x16) image area, (L)6000, x4000, (M)4496, x3000, (S)2992, x2000, 1.3x (18x12) image area, (L)4800, x3200, (M)3600, x2400, (S)2400, x1600, Photographs with image area of DX (24x16) taken with live view selector rotated to "movie live view" in live view, (L)6000, x3368, (M)4496, x2528, (S)2992, x1680, Photographs with image area of 1.3x (18x12) taken with live view selector rotated to "movie live view" in live view, (L)4800, x2696, (M)3600, x2024, (S)2400, x1344
File formatNEF (RAW): 12 or 14 bit, lossless compressed or compressed, JPEG: JPEG-Baseline compliant with fine (approx. 1 : 4), normal (approx. 1 : 8), or basic (approx. 1 : 16) compression (Size priority); Optimal quality compression available, NEF (RAW) + JPEG: Single photograph recorded in both NEF (RAW) and JPEG formats
Picture Control systemStandard, Neutral, Vivid, Monochrome, Portrait, Landscape, Flat, ; selected Picture Control can be modified; storage for custom Picture Controls
MediaSD, SDHC (UHS-I compliant), SDXC (UHS-I compliant)
Card slot2 Secure Digital (SD) cards, Slot 2 can be used for overflow or backup storage or for separate storage of copies created using NEF+JPEG; pictures can be copied between cards.
File systemDCF 2.0, DPOF, Exif 2.3, PictBridge
ViewfinderEye-level pentaprism single-lens reflex viewfinder
Frame coverageDX (24x16) image area: Approx. 100% horizontal and 100% vertical, 1.3x (18x12) image area: Approx. 97% horizontal and 97% vertical
MagnificationApprox. 0.94 x (50 mm f/1.4 lens at infinity, –1.0 m{sup(-1)})
Eyepoint19.5 mm (–1.0 m{sup(-1)}; from center surface of viewfinder eyepiece lens)
Diopter adjustment-2 to +1 m{sup(-1)}
Focusing screenType B BriteView Clear Matte Mark II screen with AF area brackets (framing grid can be displayed)
Reflex mirrorQuick-return type
Depth-of-field previewYes, Pressing Pv button stops lens aperture down to value selected by user (A and M modes) or by camera (other modes)
Lens apertureInstant return, electronically controlled
Compatible lensesCompatible with AF NIKKOR lenses, including type G, E, and D lenses (some restrictions apply to PC lenses) and DX lenses, AI-P NIKKOR lenses, and non-CPU AI lenses (A and M modes only). IX NIKKOR lenses, lenses for the F3AF, and non-AI lenses can not be used. The electronic rangefinder can be used with lenses that have a maximum aperture of f/5.6 or faster (the electronic rangefinder supports the center 1 focus point with lenses that have a maximum aperture of f/8 or faster).
TypeElectronically-controlled vertical-travel focal-plane shutter
Speed1/8000to, 30s, in steps of 1/3 or 1/2 EV, bulb, time, X250
Flash sync speedX=, 1/250s;, synchronizes with shutter at 1/320 s or slower (flash range drops at speeds between 1/250 and 1/320 s)
ModesS (single frame), CL (continuous low speed), CH (continuous high speed), Q (quiet shutter-release), Self-timer, MUP (mirror up)
Approximate frame advance rateJPEG and 12-bit NEF (RAW) images recorded with DX (24x16) selected for Image area CL: 1–6 fps CH: 6 fps JPEG and 12-bit NEF (RAW) images recorded with 1.3x (18x12) selected for Image area CL: 1–6 fps CH: 7 fps 14-bit NEF (RAW) images recorded with DX (24x16) selected for Image area CL: 1–5 fps CH: 5 fps 14-bit NEF (RAW) images recorded with 1.3x (18x12) selected for Image area CL: 1–6 fps CH: 6 fps
Self-timer2 s, 5 s, 10 s, 20 s; 1–9 exposures at intervals of 0.5, 1, 2, or 3 s
Remote control modesDelayed remote, quick-response remote, remote mirror-up
Metering systemTTL exposure metering using 2016-pixel RGB sensor
Metering methodMatrix: 3D color matrix metering II (type G, E, and D lenses); color matrix metering II (other CPU lenses); color matrix metering available with non-CPU lenses if user provides lens data Center-weighted: Weight of approximately 75% given to 8 mm circle in center of frame. Diameter of circle can be changed to 6, 10, or 13 mm, or weighting can be based on average of entire frame (non-CPU lenses use 8-mm circle) Spot: Meters circle with diameter of about 3.5 mm (about 2.5% of frame) centered on selected focus point (on center focus point when non-CPU lens is used)
Range(ISO 100, f/1.4 lens, 20 {deg}C/68 {deg}F) Matrix or center-weighted metering: 0–20 EV Spot metering: 2–20 EV
Exposure meter couplingCPU, AI
ModeAuto modes (auto; auto (flash off)); scene modes (portrait; landscape; child; sports; close up; night portrait; night landscape; party/indoor; beach/snow; sunset; dusk/dawn; pet portrait; candlelight; blossom; autumn colors; food); special effects modes (night vision; color sketch; miniature effect; selective color; silhouette; high key; low key); programmed auto with flexible program (P); shutter-priority auto (S); aperture-priority auto (A); manual (M); U1 (user settings 1); U2 (user settings 2)
Exposure compensationCan be adjusted by –5 to +5EV, in steps of1/3 or 1/2EV, in P, S, A, M, SCENE, and night vision modes
Exposure lockLuminosity locked at detected value with AE-L/AF-L button
ISO sensitivity (Recommended Exposure Index)ISO100to, 25600, in steps of1/3 or 1/2EV, In P, S, A, and M modes, can also be set to approx. 1 or 2 EV (ISO 102400 equivalent; monochrome only) above ISO 25600; auto ISO sensitivity control available
Active D-LightingAuto, Extra high, High, Normal, Low, Off
Autofocus systemNikon Advanced Multi-CAM 3500 II autofocus sensor module with TTL phase detection, fine-tuning, 51 focus points (including 15 cross-type sensors; f/8 supported by 1 sensor), and AF-assist illuminator (range approx. 0.5–3 m/1 ft 8 in.–9 ft 10 in.)
Detection range–3 to +19 EV (ISO 100, 20 {deg}C/68 {deg}F)
Lens servoSingle-servo AF (AF-S), Continuous-servo AF (AF-C), Auto AF-S/AF-C selection (AF-A), ; predictive focus tracking activated automatically according to subject status, Manual focus (M):, Electronic rangefinder can be used
Focus point51, Can be selected from 51 or 11 focus points
AF-area modeSingle-point AF; 9-, 21-, or 51-point dynamic-area AF, 3D-tracking, auto-area AF
Focus lockFocus can be locked by pressing shutter-release button halfway (single-servo AF) or by pressing AE-L/AF-L button
Built-in flashAuto, portrait, child, close up, night portrait, party/indoor, pet portrait, color sketch: Auto flash with auto pop-up P, S, A, M, food: Manual pop-up with button release
Guide numberApprox. 12/39, 12/39 with manual flash (m/ft, ISO 100, 20 {deg}C/68 {deg}F)
ControlTTL: i-TTL flash control using 2016-pixel RGB sensor is available with built-in flash; i-TTL balanced fill-flash for digital SLR is used with matrix or center-weighted metering, standard i-TTL fill-flash for digital SLR with spot metering
ModeAuto, auto with red-eye reduction, auto slow sync, auto slow sync with red-eye reduction, fill-flash, red-eye reduction, slow sync, slow sync with red-eye reduction, rear-curtain with slow sync, rear-curtain sync, off; Auto FP High-Speed Sync supported
Flash compensation-3 to +1 EV in steps of 1/3 or 1/2 EV
Flash-ready indicatorLights when built-in flash or optional flash unit is fully charged; blinks after flash is fired at full output
Accessory shoeISO 518 hot-shoe with sync and data contacts and safety lock
Nikon Creative Lighting System (CLS)Nikon CLS supported; commander mode option available
Sync terminalAS-15 sync terminal adapter (available separately)
White balanceAuto (2 types), incandescent, fluorescent (7 types), direct sunlight, flash, cloudy, shade, preset manual (up to 6 values can be stored, spot white balance measurement available during live view), choose color temperature (2500 K–10,000 K), all with fine-tuning
Bracketing typesExposure, Flash, White balance, ADL
ModesPhoto live view, Movie live view
Lens servoAutofocus (AF): Single-servo AF (AF-S); full-time servo AF (AF-F) Manual focus (M)
AF-area modeFace-priority AF, Wide-area AF, Normal-area AF, Subject-tracking AF
AutofocusContrast-detect AF anywhere in frame (camera selects focus point automatically when face-priority AF or subject-tracking AF is selected)
MeteringTTL exposure metering using main image sensor
Metering methodMatrix or center-weighted
Frame size (pixels) and frame rate1920 x 1080; 60p (progressive), 50p, 30p, 25p, 24p 1280 x 720; 60p, 50p Actual frame rates for 60p, 50p, 30p, 25p, and 24p are 59.94, 50, 29.97, 25, and 23.976 fps respectively; options support both high and normal image quality 1920 x 1080; 60p and 50p are available only when 1.3x (18x12) is selected for Image area in the movie shooting menu
File formatMOV
Video compressionH.264/MPEG-4 Advanced Video Coding
Audio recording formatLinear PCM
Audio recording deviceBuilt-in or external stereo microphone; sensitivity adjustable
Other optionsIndex marking, time-lapse photography
Monitor size8cm (3.2–in.) diagonal
Monitor typeTFT monitor with approx. 170{deg} viewing angle, approx. 100% frame coverage, and brightness adjustment
Monitor resolutionApprox.1229k-dot, (VGA; 640 x RGBW x 480 = 1,228,800 dots)
PlaybackFull-frame and thumbnail (4, 9, or 72 images or calendar) playback with playback zoom, movie playback, photo and/or movie slide shows, histogram display, highlights, photo information, location data display, and auto image rotation
USB connectorHi-Speed USB, Connection to built-in USB port is recommended
HDMI output connectorType C HDMI connector
Audio inputStereo mini-pin jack (3.5mm diameter; plug-in power supported)
Audio outputStereo mini-pin jack (3.5 mm diameter)
Accessory terminalWireless remote controllers: WR-1, WR-R10 (available separately) Remote cord: MC-DC2 (available separately) GPS unit: GP-1/GP-1A (available separately)
StandardsIEEE 802.11b, IEEE 802.11g
Operating frequency2412–2462 MHz (channels 1–11)
Range (line of sight)Approximately 30 m/98 ft (assumes no interference; range may vary with signal strength and presence or absence of obstacles)
Data rate54 Mbps Maximum logical data rates according to IEEE standard. Actual rates may differ.
SecurityAuthentication: Open system, WPA2-PSK
Wireless setupSupports WPS
Access protocolsInfrastructure
OperationNFC Forum Type 3 Tag
Supported languagesArabic, Bengali, Bulgarian, Chinese (Simplified and Traditional), Czech, Danish, Dutch, English, Finnish, French, German, Greek, Hindi, Hungarian, Indonesian, Italian, Japanese, Korean, Marathi, Norwegian, Persian, Polish, Portuguese (Portugal and Brazil), Romanian, Russian, Serbian, Spanish, Swedish, Tamil, Telugu, Thai, Turkish, Ukrainian, Vietnamese
BatteryOne EN-EL15 rechargeable Li-ion battery
Battery packOptional MB-D15 multi-power battery pack with one Nikon EN-EL15 rechargeable Li-ion battery or six AA alkaline, Ni-MH, or lithium batteries
AC adapterEH-5b AC adapter; requires EP-5B power connector (available separately)
Tripod socket1/4–in. (ISO 1222)
Dimensions (W x H x D)Approx.135.5, x106.5, x76mm (5.4, x4.2, x3.0in.)
WeightApprox.765g (1 lb 11.0 oz), with battery and memory card but without body cap; approx. 675 g (1 lb 7.9 oz; camera body only)
Operating environmentTemperature: 0 {deg}C–40 {deg}C (+32 {deg}F–104 {deg}F) Humidity: 85% or less (no condensation)
Supplied accessoriesRubber Eyecup DK-23, Body Cap BF-1B, Rechargeable Li-ion Battery EN-EL15 with terminal cover, Battery Charger MH-25a (comes with either an AC wall adapter or power cable of a type and shape that varies with the country or region of sale), Eyepiece Cap DK-5, USB Cable UC-E17, Strap AN-DC1 BK
Nikon D7200 Sample/Test Photos









Nikon D7200 Sample/Test Videos (Full HD Recording)





Nikon D700 vs Canon 5D Mark II

Introduction :- Canon 5D Mark II and Nikon D700 is the world's two most popular DSLR for digital Serious photographers.

Each best on earth for many things. Determine which is better depends on what you want to do with it.

Comparing the two is like comparing the best car from Ferrari the best car from Porsche. Each is the best in the world, but every other car was designed for a different kind of driver. This is the same between the D700 and 5D Mark II from canon.

Canon 5D Mark II was much better in 2011 when the new firmware v2 has been released as a free upgrade. Nikon D700 was excellent, while the 5D Mark II lost the rough edges have been introduced and has now become a special camera.

In the past few months, we have taken the two hottest cameras on the market. If you've been paying attention to either one of the purchase, this is everything you need to know.

The camera makers love to invent new categories. And while that can often lead to endless bloat, the Canon EOS 5D Mark II and Nikon D700 DSLR represent a sweet point that has never before been affected body part with a professional full-frame sensor. And that is the category with the most bang for the buck we've seen so far.

Yes, let's just get this out of the way: Both Nikon D700 and 5D Mark II gives you more for your money on features, image quality and excellence than any anything else that we have used. Period. We know not everyone is prepared to drop $ 2,400 (Nikon D700) to $ 2,600 (Canon 5D Mark II) a camera body these days, but if you are thinking of investing in long-distance and, more importantly, have a collection good practice or Nikon or Canon lenses, the two cameras you want to see.

Why? Because they give you almost everything from Nikon and Canon's top end uber-pro for the entire lot, the most important is the full frame sensor (FX Nikon parlance). With a sensor the same size as a 35mm film, your old Nikon or Canon glass will produce good results on the new bodies (assuming they are new enough to autofocus and a few meters of the machine). And if you do not have a collection have been selected to build your new lens will be more enjoyable without significant factor APS-C sensor (DX, again, in the world of Nikon ) 1.6x crop changes the focal length of their effectiveness.

The sensors in both cameras also have their responsibilities completely stunning high-ISO sensitivity performance, if you would have told me a few years ago that I can get 100% can be use photographs and virtually free of noise in the shadows at ISO 4000 with hand holdable shutter speed, I will laugh at Nostradamus your search. But that's actually here, and it's great.

But second, to choose? Now that is the question, is not it. Here we will share what we've learned from shooting with the 5D Mark II and D700, for work and play, and hope you can make your own call.

Image Quality / Sensor Sensitivity :- D700 performs better in low light conditions, because flounders 5D Mark II AF system in D700 conditions continue to focus on. 5D Mark II's AF sensor is the heart swell, but its side sensor less accurate and less sensitive in low light conditions.

Canon 5D Mark II has more resolution, but it also has more noise in the shadow of it, even at normal ISO, than D700. The resolution does not really matter further unless you are hanging the exhibition collection in size large at least three feet (one meter) and is standing too close. Noise ball 5D Mark II does not matter, or unless you're looking too close.

I like the 5D Mark II for higher resolution and lower weight for nature and landscape photography. I like the 5D Mark II to travel with family if I intend serious photography on the same trip, because Total Recall Memories of it allows me to swap between all the settings I need to a gun or another, and 5D Mark II less weight than any full-frame camera from Nikon to easily carry everywhere. I never get tired and leave the 5D Mark II back in the hotel.

For low light, D700 focus better, and in any light, it has less noise in the shadow of it than the 5D Mark II. D700 also has a superior AF system in any light 5D Mark II, and has a faster frame rate.

For news, activities and sports, Nikon D3s is still king, but in a completely different speed and price class than the D700 or 5D Mark II.

Again, both of these cameras will blow your mind with high-ISO performance of them. Both went to a ridiculous ISO 25600 assessment. The magic is not in the scope of their top luxury though, as you can see in our gallery is still prit-tay, prit-tay noisy. No, this is crazy here with all DSLRs, you can take 3200, 4000, 6400 in the light and still have the pictures look real on-screen noise. That is just crazy, and you can not describe exactly what this means is that you are a photographer until you've fired your friends handheld shutter speed fast enough around a table candles, and get the image that looks absolutely beautiful. Previously, it took a crazy expensive lenses even come close to this, and even then, the sensor (or even higher ISO film) can not keep up.

With the 5D Mark II and D700, you're basically shooting with night vision. Like I do here Snowscrapers a few weeks back. As you can see, floodlights, but it was dark. These guys are moving fast. But I can customize the ISO high enough to rotate them without blurring them out, and get stuff like this, no sky turns into a snowstorm of noise.